It was an unforgettable gig and - thankfully, very thankfully indeed!! -
mr. R and I were there to witness: Eddie
Vedder adorning the
NJPAC theatre with his golden voice and a generous 3 hour set list, including songs from his Golden Globe winning soundtrack “Into the Wild”, alongside various covers and even some Pearl Jam material (
check out the complete setlist at Metro Distortion).
The first big moment in the evening came as soon as Eddie stepped onstage, with a tidal wave of applause flowing from an adoring crowd. As soon as he was able to thank us (after several attempts to break the standing ovation) Eddie said it was still too early and that he still needed to “earn all that applause”. He then asked us to brace ourselves for a long evening of music, following in the tradition of a certain Bruce Springsteen. Woo-
hoos and deafening applause all over again...
Eddie kicked off with Daniel Johnson's Walking the Cow and the audience gawped at the theatre’s state of the art acoustics. Quite simply I had never heard anything like that. Loud and clear, there and then was the proof that Eddie
Vedder really is one of the most powerful and versatile voices in modern music. He sang with such clarity and purity that the music flowed through our every pore.
This purity of sound was most evident in poignant tracks such as “Dead Man Walking” or “Man of the Hour” (from Big Fish), or in urgent songs like “I Am Mine” (which sounded reinvigorated in its unplugged version), “ Masters or War”, “Setting Forth” and “Rise” (this one had the audience literally rising up to the chorus). Even Eddie acknowledged how amazing the acoustics were and claimed that the
NJPAC was going straight into his list of favourite places to play. Which made me think about how perfect this theatre would be for a Pearl Jam “unplugged” evening
à la Benaroya...(Please?)
There was also the usual cool Eddie banter and extras sandwiched between songs: we had the opportunity to ask questions (which some concert goers wasted with song requests – for shame people!) and Eddie gave us some answers, including an earnest account of what's hidden behind that most mythical of
PJ songs, Yellow
Ledbetter. He also experimented with new sounds, debuting a fresh off the peg song ("
Unthought Known") and layering vocals for a tribal-like effect in “Arc” (from Riot Act).
29 songs later and after a radiant set closer ("Hard Sun"), I came out of the theatre so uplifted I felt I was skimming over the sidewalk. This performance demands to be released as a live CD, for Eddie is not only one of “the great voices of our time” (as Time Out NY put it), he is also one of the greatest artists.